Writerly Resolutions for 2015

Christmas is a time for sitting around and doing as little as possible, for as long as possible. Getting up at 2pm, not showering for days, binge-watching films and TV shows you never really wanted to watch – it’s the only time of the year when you have permission to do fuck all and no one can say anything to you.

But now the festive period is over. The tree must come down tomorrow, and we must all once again start doing something with our lives!

And so, it is time to make the dreaded New Year’s Resolutions.

New Year, same sort of goals:

  • To submit a short story for publication somewhere;
  • For that short story to get published somewhere;
  • To complete the first draft of my novel.

Obviously the second one relies on someone else deciding that my work merits publication, but I thought that goal two might motivate me to hurry up and get goal one ticked off. No one’s going to publish a blank page, ha…

As for the novel writing, I have a huge chunk done (thank you NaNo) but keeping up the commitment of writing everyday will be difficult, especially after two weeks of sitting around at home doing nothing but eating and reading The Hunger Games (thank you Suzanne Collins).

The Hunger Games were really good by the way, I would recommend them. 

PS, goal number four:

  • Update blog more frequently and with things that are more substantial than the above.

I am sure you are glad to hear.


5 things I learned doing NaNoWriMo 2014.

After many, many failed attempts over the past few years, and after many many hours spent in the library after work over the past month, I can finally say it…

I completed NaNoWriMo!


And I am very proud of myself, which I think I am allowed to be. I now have the first 50,000 words of my novel out on paper – 50,000 words that have been bouncing around my head for the last few years, finally written down. It is not the full novel, but it is a great start, and I am feeling seriously motivated to get it finished in the next year.

Now NaNo is over I am able to breathe a little and think about the whether or not this challenge has been beneficial. (‘It ended like two weeks ago,’ I hear you say. Well, I was celebrating. A lot. Too much). And so, here are five things I learned about myself during NaNoWriMo 2014:

1 – I can write 50,000 in a month!

This may seem like I’m stating the obvious, but it is a revelation. Since I have a full-time 9-5 finding the time and energy to write every day is difficult. My NaNo-ing schedule was thus: 2,000 words every weekday, 2,500 over the weekend (this was with the expectation that I would take one weekend day off). I mostly stuck to the schedule and achieved the daily quota by sitting in the library from 5pm-8pm and forcing myself through the words. I would usually get just over half way before the spirit of laziness and procrastination launched an attack on my brain and made it suddenly very important that I play a few rounds of Temple Run, but was able to struggle through to 2,000 most days.

It showed me that I always have time to write, and that I can get a huge amount done when I am able to concentrate.

2 – I could not write 50,000 every month.

Because it’s hard. And really tiring. And I had to skip a few social events to do it. Maybe every other month?

3 – When I don’t write, I get moody.

I am not sure if this was always the case or something that developed as a result of writing to a challenge, but if I came home from the library without my 2,000 words done, I could pretty much guarantee that I was going to be feeling miserable for the whole evening. At least, I would always realise this in hindsight, and it is easy to see the pattern now. This was particularly a problem for me in the final week when I fell majorly behind target. I was feeling ill that week, and the further behind I fell, the iller I felt, mostly because I would lay around feeling angry and sorry for myself. I fell so behind that I had to do the final 10,000 words on the last day.

I don’t know how to respond to this observation, other than to try and recognise when I am in a bad mood and not be so hard on myself. Or maybe I should write more. Or maybe both? I think both.

4 – Self-editing is a difficult habit to put aside.

And I didn’t realise I did it so much. When your aim is to get a certain number of words done that day, there is no time to just go back and change that one thing. That one thing will have to wait, because you have to write about 689 more things before you can stop for the day. There are whole sections of the 50,000 draft that I know will have to be changed – for example, one of the main characters completely changes name, age, and gender in the space of a few sentences. I’m going to have to go back and have another look at that bit. But there was no time for it in November.

It is, in a way though, quite liberating. You feel like you’re getting so much more done by ploughing on with it than you would have done if you kept stopping and going back. Save the red pen for later. You can’t edit a blank page, and all that.

5 – Deviation is fun.

Feeling bored? Writer’s block? There is no time for that shit in this business. What your brain needs is to be thrown into a lake of half-formed thoughts and ordered to swim. Waken up, brain.

At least that is how I overcame writer’s block. I created a new character and would divert to her storyline, which is still very much undecided, when my carefully crafted outline was holding me back. Injecting something new into the known was not only fun, but it helped give my mind a break from thinking over the characters and plot details it had been wrangling with for years. As a wise woman once said, ‘Let it go, let it go.’ This is useful, when there is no time for real breaks.

Bonus thing – NaNoWriMo is a good kickstarter, but I couldn’t do it every month.

And luckily no one is asking me to! But deadlines seem to be a good thing, so for 2015 I will be setting a few of my own to follow, and may well throw in a few mini NaNo-type weeks to keep up the momentum.

If you did NaNo this year, whether you succeeded or not, well done to you! Even just trying to commit to this sort of challenge is a good statement of trust in oneself. There are certainly drawbacks to NaNo (see references to mistake-riddled draft, above) but it adds a sense of pressure and consequence to your daily writing routine that is difficult to feel when you are unpublished and without anyone actually waiting to read the draft.

(Like me!)


I am a genius, just look at my glasses!

In late February I went along to listen to a talk given by Baroness P.D. James called ‘Murder and Mystery: the Craft of the Detective Story’. She gave us a brief history of her life, focusing on how she developed her Adam Dalgliesh series and Death Comes to Pemberley, which was recently adapted by the BBC. It was an interesting insight into the thoughts and creative process of such a noted author, but one thing which James said really stuck with me:

If you are an author, you will write.

It’s not a radical idea. It’s the genius paradigm: you couldn’t stop Shakespeare writing plays, Mozart lived for composing masterpieces, painters gonna paint. The idea that true creative souls must find an outlet is precious to those of us who believe ourselves to be creative souls. The question ‘why do you write?’ has been polled a hundred million times on every writing site which has ever existed, and the response ‘because I need to’ (or something along those lines) is always popular.* Creativity is a force of personality, not something which can be learned from WikiHow, and for unpublished authors and poets in particular the idea that writing is a compulsion rather than a skill makes us feel less like lazy, feckless wannabes and more like tortured but time-restricted geniuses. Stephen King probably has probably been quoted saying something to support this idea, so it is law.

*Super scientific research: my writing site of choice (Critique Circle) asked the eternal question in February, and 54.6% of those who responded answered, ‘Writing is to free the stories trapped in my head. They will not let me rest until I get them out’. I am going to scientifically refer to this category of response as the ‘genius category’ because I’m not entirely convinced I used the word ‘paradigm’ correctly in the second paragraph… (Here is the page the poll is on, for your viewing pleasure. You need to be a member to view the page).

Fake it ’til you make it.

While I completely understand the thinking behind this idea and often feel the romance of creative passion and the oppressive drive of imagination myself, I also think it’s a horrible way to think about writing. When someone says ‘I know I am a writer because I need to write all the time or I’ll go mad!’ it turns creativity into a pissing contest. Every other Wordslinger in the room examines their own drive to write, and if it’s anything less than ‘Dangerously High’ then ahhhhh… Hobby writer.

There are two ways to respond to the call of the genius category:

  1. Acknowledge you aren’t motivated by a constant and unrelenting urge to write;
  2. Pretend that you are.

Lots of people choose option one, and I don’t blame them. There are plenty of other great responses to the question, ‘Why do you write?’ which may not place you in the genius category, but hold a different and equally valid sort of pride. For example, the second most popular response in the aforementioned poll was, ‘Writing is for people to enjoy. I want people to laugh, cry, think, be comforted, or be challenged’ (29.2%). This category of creative – and this, I think, extends to all of the creative arts – has the audience in mind. They are the storytellers, concerned about creating art to be shared. It’s a motivation I think we can all understand. Some want to entertain, some want to provoke; it’s difficult not to consider how your work will be received, and so we tailor the style, the content, the meaning, with our particular reader in mind.

Personally, I hate it when people put so much emphasis on the entertainment side of storytelling that they scowl upon those who deign to think about meaning (see my previous post which includes a mini-rant on the subject) and so I am suspicious of anyone who calls themselves a ‘storyteller’, but I can see what they are getting at.

‘Art without an audience is simply an act of mental masturbation’ 

– Couldn’t find a source for this, lots of people have said it..

On to the second way one can respond to the challenge of the geniuses: fake it. This is what I do.

I don’t simply mean that one should proclaim oneself to be a creative mastermind at all opportunities, Wilde-style (I mean, if one wants to do this one can but I doubt one’ll make many friends). What I do when faced with the problem of wanting pure author-ness to pump through my veins but not really feeling it – whether this be due to writer’s block, distraction, or feeling like writing is becoming a bit of a chore – is try to get into the ‘author zone’. I suspect many of you will already get what I’m saying.

For me, that means putting on my glasses, busting out my fancy pen and notebook, and dressing in my ‘lounge jammies’ in an attempt to play the part of the sloppy but sophisticated young soul who will write many future novels. I even call myself by a different name while I’m writing, because if I adopt the character and look the part I am much more likely to get in that zone and finish that story. Starting this blog was part of constructing that role, because ‘Jude Jones, Author’ is a modern writer. I even read more now than I did a year ago, because ‘Jude Jones, Author’ is aware of what the market is doing.

The cake is a lie.

So, when the polls are busted out and I’m asked ‘Why do you write?’ I hit the button that says ‘Because I have to’ because, rather ironically, I feel I have to. And it’s all a lie – there, I’m breaking rank, I said it! Day-to-day me has a dangerously vivid imagination, yes, but it’s usually occupied by characters that I have no intention of writing about. To produce short stories, chapters, or even blog posts, I need to put on my costume and adopt a persona – I need to convince my mind that it belongs to an author before I can start producing the kind of ideas and standard of writing which I aspire to someday publish. I split myself a little, maybe, but only to separate the useless Netflix-addicted slob from the inspired literary mastermind which I know is in there somewhere. And it works. I’m not saying that what I produce is genius, but at least I feel like I’m producing something which fits the image I want to achieve.

As my idol, Dr Frank N. Furter, once said, ‘Don’t dream it, be it’. Well, once a day I put on my corset, draw on my eyebrows, and perform the fabulous number called writing. I just hope I don’t get shot with a beam of pure anti-matter at the end. I might break character.


Short (HA!) stories.

Like most wannabe writers, I intend to write a novel at some point.

It’s all planned out – mostly in my head, but some parts on paper too – and I’ve already knocked out a few chapters here and there. The problem is, I don’t have any time to commit to writing it. At least, that’s what I tell myself and anyone who asks about it. The real problem is, I’m lazy and impatient. I love writing, I love my someday-novel, but I’m easily distracted and have a tendency to not finish things (see last post on ‘The first bad idea I ever had’).

This is the main reason why I decided to try my hand at writing short stories.

I can usually bang out a thousand words or so before my mind starts to wander, so short stories seemed like the perfect way for me to work within the bounds of my short attention span and actually maybe someday possibly finish something. All I would have to do is come up with a concept for a story and I would be golden.

Now, I know that there is a huge difference between writing a novel and writing a short story; when you’re trying to fit a whole narrative into 2000 words every single one of those words has to be doing something. What you can take a chapter to say in your epic sprawling trilogy, you can only afford a few words in your magazine piece. The technical aspect of writing a shorter piece of fiction is something which I went off and tried to learn through a summer a flash fics and Asimov’s SF magazine, and I found that it suited me. I’ll write the novel someday, but for now short stories are to be my children!

Short stories are awesome. 

In theory, anyway. The problem I find myself running into is this: where do you start? Coming up with an idea that you can fit into 2000 words is difficult, especially when you’re used to breaking out the A2 paper and developing the shit out of everything. From reading the short stories of other writers it seems that shorter fiction can, at its best, convey a huge amount of poignancy and emotion in the most efficient way possible. Edgar Allan Poe only needs a couple of pages to spook you, and J. G. Ballard can turn your brain inside-out in only a couple hundred words.

I want to write something which is meaningful or thought-provoking in someway, but it feels inorganic to start with the thought and build a narrative around it. On the other hand, when I come up with what I think would be an interesting story or plot I feel compelled to try and drag a ‘point’ out of it, whether the point is there or not. The situation is made more difficult by the fact that on any of the writing forums I use the general feeling is anti-thought, pro-plot: writers should be concentrating on telling interesting and exciting stories, not trying to say anything in particular. I don’t mean to suggest that anyone is saying that stories shouldn’t have a message or a meaning behind them – just that admitting to thinking about this message is not the done thing. It’s not cool. You seem like a pretentious asshole if you’re putting meaning before storytelling.

Of course the best stories are those in which the meaning is subtle and emerges from the story effortlessly, but how the hell are you supposed to create meaning consistently if you’re not allowed to think about it? At the same time, however, ‘I want to illustrate the dangers of reading too much Philip K. Dick’ is not the easiest of starting points, and can require the same sort of mental exhaustion to pull a story out of as… well, reading too much Philip K. Dick.

So where do we start?

With the creative ignition or the resulting thought? Is starting with a message like going outside before you’re fully dressed? Is not thinking about the message like trying to make your breakfast with your eyes closed?

I’m probably over thinking this. Who says you can’t come up with both simultaneously? No one. Both story and message evolve together, along side each other, to eventually become a coherent whole.

But it’s a frustrating process. Sometimes you have a point to want to convey, but you can’t figure out how. And that sucks. Sometimes you have a story you want to tell but you can’t help feeling it’s a bit pointless or vapid. That sucks too. Do all stories need to convey a message? No.  But as a reader the stories I enjoy most are those which force me to put down the book and just think about that for a minute. Page-turners are brilliant, but I’m a fan of the thinkers. Those are the kind of stories I want to write.

Basically, I wish I was Philip K. Dick.


The first bad idea I ever had.

I thought I’d begin my foray into the world of blogging by writing about the first thing I ever wrote. This is going to get sentimental.

Before I start, there are two separate stories saved on my laptop which I consider to be ‘the first thing I ever wrote’. One is the actual first thing – a couple of short chapters of a story about a kid spy called David Barton – and one is the first thing I ever cared about writing – a 56 chapter novella about a bunch of school kids.

The actual first thing I ever wrote:

The spy kid thing was never really going anywhere. I was about 13 when I wrote it and a big fan of the C.H.E.R.U.B. and Alex Rider books, but I don’t remember much about where the idea came from or  what the story was going to be about. All I have are a few short passages in which a young boy watches as his house gets blown up with his family inside; I know that his dad was a spy, and he was going to become a spy, but that’s about it. Style wise, the writing is pretty good, which I think I can say without sounding cocky since I’m using my present day stuff as a comparison. It’s nice to have but quite frankly I had forgotten it’s existence until I stumbled across it a few years ago; it’s not very important to me.

The novella, however, is probably the dearest and most personal thing I have ever written.

I wrote it in about three months when I was just turning 15. It follows a group of teenagers as their lives become increasingly complicated and difficult, eventually climaxing with the pointless and accidental death of one of the MC’s closest friends. Each chapter is told from the perspective of a different character, though most of it follows either the amiable but troubled MC and an older, more confident boy who pushes him around.

I re-read the whole thing fairly recently, and though it is stupidly formatted and the the writing ain’t great, it’s quite a funny and thoughtful little thing altogether – definitely not bad for a first try. What really struck me about it, though, is the difference I found between myself as a writer now (supposedly ready to get serious) and then (n00b).

Why 15-year-old-me is a better person than me-now-me:

While now I’m reluctant to share a single sentence of my work without having rigorously edited it first, I used to share each chapter of that novella with my friends, family, and perfect strangers on the internet the second after I wrote it. Today I have trouble finishing a flash fic in a week, but I wrote that sprawling mess in 12, plus 38 chapters of a sequel.

I remember seriously enjoying writing that novella – I’d slump down in front of my computer for hours after school and tap away at the keyboard. Sure I never edited anything or even scanned my spelling, but I don’t think I’ve enjoyed writing anything as much as I enjoyed writing that. It is, at once, a reminder of what I can achieve and what I haven’t since.

Part of the problem is that the characters from that novella are still very much alive and kicking in my mind. Not a single day goes by when I don’t think about that story – I know the MC’s family tree inside out and have expanded the original plot way beyond what it originally was. I have a tendency to obsess a little over the worlds I create, like all writers, but the world of this particular story – ordinary as it is (there aren’t even aliens) – is the most vivid I’ve ever created.

That damn story haunts me, but I fucking love it to pieces. Whenever I get a bit stuck on what I’m writing, I think back to how I felt when I was writing after school on my creaky old desktop, surrounded by tatty old posters of Gerard Way and Eragon. Those old posters are now pinned to the wall of my room in college; the drive to write must be around somewhere.

But no, you can’t read it.